A small red-capped figure — the duwende — stands at the edge of a soft, mossy forest.

The environment is rendered in layered watercolors: lush greens, grounding browns, and foggy shadows.

The duwende is placed slightly off-center, creating a sense of movement and narrative tension.

'The Invitation' reads like the first page of a wordless myth.

There’s an energy of pause and approach.

The duwende is neither rushing nor retreating.

It’s as if they’ve been called here by something unseen.

This moment, delicate and open-ended, acts as a threshold.

A crossing into a world not fully ours.

As the viewer, we become the second presence.

The piece asks: What would you do if a world of magic unfolded before you?

Jairus’s use of watercolor allows for a dreamy diffusion of light and shadow, blurring the boundary between reality and imagination, much like how the duwende exists in the cultural space between folklore and faith.