Themes of labor, domestic organization, and time run through the ongoing installation piece unseen labor. Made of more than 23 miles of cotton twine, each length was hand crocheted while multi-tasking; watching a movie with my family, in a waiting room, at a dress rehearsal, during zoom meetings. The work illustrates a paradoxical desire to be domestic and simultaneously outside of the domestic. Through the juxtaposition of sculpture, a practice of art that was one of the most exclusionary to women, and the single crochet, the most mundane and easiest beginning crochet stitch, the work exists in a liminal space, a space of continual accumulation, obsessiveness, and time. It brings a physicality and a demonstrated awareness to the unseen and frequently unpaid domestic labor of caretakers. The work is both an acknowledgement and a protest of its own existence, inseparable from the hands that made it.