This work is dyed with natural pigments grown and harvested from my garden, carrying the trace of soil, weather, and season directly into the cloth. The muted grays and ochres emerge through slow extraction and immersion, allowing plant matter to determine saturation, shift, and variation. Color here is not applied—it is coaxed.

The surface is built through folding, bundling, and stitching, creating a dense, almost topographic field. Frayed threads and exposed seams interrupt the order of repetition, revealing the labor beneath the structure. The piece considers dyeing as a form of cultivation: tending plants, tending fiber, tending time. What appears subdued is in fact layered with process—an accumulation of growth, harvest, and hand.