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Gregory Kitterle

Gregory Kitterle

LONGMEADOW, MA

A creator of fine contemporary abstracy and semi abstract paintings and drawings with classical sensibilities, production methods and materials

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Ruin by Gregory Kitterle, Image 1.
  • Ruin
Oil on Panel
8.3 x 6.5 x 0.25 in
Refuse Refuse by Gregory Kitterle, Image 1.
  • Refuse Refuse
fresco on panel
10.8 x 7 in
Lee Mat goes for Bar Oak by Gregory Kitterle, Image 1.
  • Lee Mat goes for Bar Oak
Oil On Canvas
80 x 45 x 1 in
smoke of disambigulation by Gregory Kitterle, Image 1.
  • smoke of disambigulation
Oil On Canvas
80 x 45 x 1 in
Smile from the Shadows by Gregory Kitterle, Image 1.
  • Smile from the Shadows
o
45.5 x 59 x 1 in
Machines that work don't #2 by Gregory Kitterle, Image 1.
  • Machines that work don't #2
8 x 6.5 x 0.6 in
Fragment by Gregory Kitterle, Image 1.
  • Fragment
Oil and Plaster on Canvas
14.5 x 12.5 x 0.5 in
old sins cast long shadows by Gregory Kitterle, Image 1.
  • old sins cast long shadows
80 x 45 x 1 in
After Eris by Gregory Kitterle, Image 1.
  • After Eris
Fresco on Panel
8 x 6.3 x 1 in
clown shadow by Gregory Kitterle, Image 1.
  • clown shadow
Eden by Gregory Kitterle, Image 1.
  • Eden
Oil On Canvas
36 x 75 x 1 in
winter sun by Gregory Kitterle, Image 1.
  • winter sun
Venice #3 by Gregory Kitterle, Image 1.
  • Venice #3
theatrical display by Gregory Kitterle, Image 1.
  • theatrical display
Eracola Minoa by Gregory Kitterle, Image 1.
  • Eracola Minoa
Oil and Plaster on Canvas
12 x 11.8 x 0.75 in
Bed by Gregory Kitterle, Image 1.
  • Bed
Oil on Panel
  • 1
  • 2
  • 3
 

Gregory Kitterle is an American painter who crafts oneiric paintings by using timeless techniques reminiscent of Pompeian fresco and seventeenth-century masters. He grew up amidst the dark purple-blues and greens of New England, which are at once serene and disturbing (having given rise to both Hawthorne and Transcendentalism), and this sense of unquiet transpires into his work. Kitterle was educated under the method of the Abstract Expressionist Hans Hoffman, and his experience at Boston's Museum of Fine Arts contributes to his mastery for layering historical influences with contemporary perspectives. His textured surfaces possess the polished, luscious appeal of traditional fresco, guiding the eye across irregular forms and blending painterly expertise with a deep respect for history.

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