Every foray into the Pacific Northwest’s natural environment reveals arrangements of light, forms, and textures that inspire further exploration. The motifs I choose to work with reveal depth and meaning when translated by my hand and etching press. I practice many forms of printmaking. I love that the print is the mirror image of the drawing I’ve created on the printing plate. My latest enthusiasm is mokulito, Japanese wood lithography. This method encourages the reproduction of a wide variety of marks, including expressive brushwork. The journey continues.