. Started w/ crushing charcoal & mixing w/ turp washes. Wide brush stokes across the top to allow gravity to mark the surface with this mixture. This was the start.
. The painting presents a tension in it's sense of symmetry and asymmetry, mirroring the other.
. The pull of this work is at it's centre, inviting the viewer to rest in the white band column. An invitation to pause in the white void of possibilities.