A delicate moon snail shell rests atop a commanding piece of striated rock, its pearlescent surface catching light in hues of cream, violet, and rose. The substantial dark mass below reveals dramatic geological banding, with warm ochre cutting through the charcoal-colored stone.

The artist's deliberate inclusion of chalk-mark patterning in the background serves as a visual reminder of the painting's nature as interpretation rather than pure documentation. This contemplative study explores the intersection of biological and geological specimens while questioning traditional approaches to realism in still life painting.