In this powerful three-part series, El Jinete—an apocalyptic skeleton—emerges as a symbolic rider of societal shadows: misunderstanding, loneliness, marginality, and death.

Rendered through abstract expression and visceral fragmentation, the horseman slowly disarms, dismembers, and dissolves. Each canvas becomes a rebellion—a visual cry that it is possible to confront and dismantle what he represents.

I feel like a lonely hunter.