Artifact #150

I use circular compositions to dialogue with how memory is managed. As with aged graffiti walls, layer upon layer, my work is about exploring the progression of color and shape with the embrace of unpredictable movements and combinations. This work documents patterns, forms, depth and shade in the spaces where we store our consciousness. I work with abstract forms and spaces because I believe this is the best conduit to representing and documenting how we manage our consciousness. My works riff off of Gertrude Stein’s saying “endless variation, infinite repetition.” This work helps people to conjure questions about the ebb and flow of consciousness – what obfuscates it, what shines through and what melds together.