Sibling, Days 145–175 is one work in two parts. Its tension comes from the space between what seems untouched and what bears the marks of experience. The left image holds a sense of suspension and possibility. The right carries residue, exposure, and change. Together, they suggest two states held in one body: linked, distinct, and inseparable.

Made through the physical breakdown of Polaroid material and scanning, the work reflects on memory, care, and inheritance carried on fragile surfaces. Presented without glass, it remains exposed to air and deterioration. Sibling, Days 145–175 asks how inheritance can both wound and sustain, and how a mark can register not only damage, but also survival.