「漂浮系列」所承載的並非繁複的繪畫技術，而是更為關注油彩獨有的「迷幻感」。在《漂浮2017-14》中，游依珊善用色粉與油料的交疊渲染，鋪陳出視覺上的神秘體驗，將突破思想自由的無形傳達給我們身處的有形世界。

The "Floating Series" doesn’t carry complicated painting technique, it pays more attention to the unique "psychedelic sense" of oil paint. In "Floating 2017-14", Yu I-shan makes good use of the overlapping rendering of toner and oil, laying out a visual mysterious experience, and conveying the intangible breakthrough of freedom of thought to the tangible world we live in.