In Bulge, Dani Marti distills the language of minimalism through the sensuality of surface and form. The woven structure, composed of tightly braided nylon rope, creates a subtle convex shape—a restrained yet unmistakable evocation of the body. Its geometric precision and monochromatic depth are punctuated by a physical presence that borders on the erotic.
Marti’s concept of “sexual minimalism” finds expression here in the tension between control and desire, structure and softness. The repetitive act of weaving becomes an intimate gesture, charged with touch and duration, transforming craft into a site of embodied experience. Bulge resists the cold detachment often associated with minimalist aesthetics; instead, it pulses with quiet sensuality. The work occupies the threshold between abstraction and corporeality, where the surface itself seems to breathe—an understated meditation on containment, repression, and the subtle politics of desire.

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