Corrections
From 2012 to 2015, I worked as a Tracker for Linn County Juvenile Detention and Diversion Services in Cedar Rapids, Iowa. As a Tracker, I provided services to youths who were convicted of crimes, adjudicated, and subsequently ordered to complete probation. Juveniles in my charge were asked to comply with services which may include: electronic monitoring, therapies, drug screening, and community service; it was my responsibility to have continual contact with them to ensure these expectations are met. 

Tracking and other similar community-based services are being increasingly used as an alternative to detention facilities. These services, which allow juveniles to stay in their homes, show a higher rate of success than strict incarceration. Although community-based services are built to foster a collaborative relationship between juveniles and service providers, attaining the actualization of teamwork becomes problematic when juveniles feel that they have done nothing wrong, are victims of circumstance, or do not fully understand why they have committed a crime. The system has been put in place to provide rehabilitation, but it is far from being a straightforward process. Many influences outside of the youths' control such as education, socioeconomic status, and race all play a role in whether or not a youth reoffends - all of these factors possessing the propensity to lead them to extended periods of incarceration in the juvenile system or to involvement with the criminal justice system as an adult. 

By reconsidering the role that I played in the lives of the kids I worked with, I began to acknowledge the burden that comes with tasking young men and women with continued complicity. My stance as a consequence kept our relationships in a state of flux ranging from stable to tenuous – a constant motion mirroring the discord that develops between the system's intentions and outcomes. Through employing ideas of anonymity, voyeurism, and introspection, Corrections is an examination of youth experience in the system, the role images play in defining someone who is deemed a criminal, and how the concepts of privacy and control may affect their future. 

Bio
Zora J Murff is an Assistant Professor of Art at the University of Arkansas. He received his MFA from the University of Nebraska—Lincoln and holds a BS in Psychology from Iowa State University. Merging his educational experiences, Murff uses his practice to highlight intersections between various social systems and art. He has published books with Aint-Bad Editions and Kris Graves Projects. His monograph, At No Point In Between (Dais Books), was selected as the winner of the Independently Published category of the Lucie Foundation Photo Book Awards. In 2020 Murff was announced as the winner of the inaugural Next Step prize, awarded by Aperture and Baxter St at the Camera Club of New York. His work was presented at the 2021 Rencontres d’Arles, France, as part of the Louis Roederer Discovery Award.

Murff is also a Co-Curator of Strange Fire Collective, a group of interdisciplinary artists, writers, and curators working to construct and promote an archive of artwork created by diverse makers. His publication True Colors (or, Affirmations in a Crisis) will be published by Aperture in 2022.