Sarah Davidson works primarily between drawing and painting to create compositions in which shadowy, biomorphic figures and delicate, foliated fragments mingle. Making reference to a history of discourses constructing the ‘natural’ world, their works investigate bodies, environment, observation, and the tangled strings which often bind them together. While they often draw directly from ‘nature’, their drawings diffract distinctions between embodied self and other through a queer ecological lens: critters and space collapse in upon one another, suggesting a permeable web. Both the eye and the mind work towards the known--animals, plants, brush marks, lines--but are caught in a space of undoing. A question floats among the forms: who’s seeing who, and how?