In All the Different Ways, saturated gesture meets layered whimsy. Thick black lines pour downward like a net flung over a swirl of pastel blues, purples, and yellows, creating an arresting interplay between density and movement. A red background pulses beneath it all, energizing the canvas from edge to edge. Though compact in size, the work cycles through a variety of painterly languages—drag, drip, scribble, bloom—evoking a restless search for form that never quite settles, but remains full of possibility.