In the Melody of Its Own Becoming

Concrete, Bloodwood, resin, copper
54 x 115 x 23 in
Autumn T. Thomas

In the journey of self-discovery, home emerges: sturdy yet fluid, like concrete and flowing water. Boundaries, akin to musical notes, harmonize, shaping the Black American soul. Home transcends place, it's an embrace of self, where the heart finds peace in its own melody.

Other Work From Autumn T. Thomas

We Would Rather Move Through Our Lives like the Flow of Water by Autumn T. Thomas

Virtue is Near Thee, and With Gentle Hand by Autumn T. Thomas

Contemporary Chi Wara III by Autumn T. Thomas

Contemporary Chi Wara 1 (work in progress) by Autumn T. Thomas

Forest for the Trees by Autumn T. Thomas

The Power of Rejuvenation by Autumn T. Thomas

See all artwork from Autumn T. Thomas

Artist biography

Autumn T. Thomas (b. 1978) creates wood sculptures that challenge the boundaries of visual literacy: hundreds of cuts placed into the wood transforms it into soft, twisting forms, mimicking the endurance required to thrive amidst the oppression and marginalization of women of color; each cut represents a time in which Thomas felt cut down by society. Minimal in design,

Thomas' work personifies analogous, brown bodies as whispering forms of subversion, affecting prejudice by way of perception and visual literacy.

Thomas is a current artist in residence at Redline Contemporary Art Center in Denver, CO where she lives and works. She is sponsored by Diaspora Vibe Cultural Arts Incubator and National Performance Network. She received her MFA in Book Arts and Printmaking from The University of the Arts, Philadelphia in 2017 and her BFA in Visual Communication from The School of the Art Institute of Chicago in 2015.