Beautiful rare platinum print of one of Weston's most famous images.

In 1934 Edward Weston met Charis Wilson (1914-2009), the well-educated, twenty-year-old daughter of a prominent Carmel family. She began as a model for the photographer's nude studies, but the two soon became romantically involved. Unlike many of the previous model/lovers in his life, Wilson remained with Weston for nearly twelve years, and they were married from 1939 until 1945. She was only his second wife, despite the numerous lovers he had had during and after his first marriage to Flora Chandler (1879-1965). Weston's pictures of Wilson in 1934 were, like his Hands of Kreutzberg, close-up depictions of body parts. Set against a deep black ground, as the still lifes of peppers and shells often were, Wilson's arms and shins or buttocks and feet are tightly framed, often off center, and removed from the context of her body as a whole.

Not long after Weston met Wilson, he packed up his Carmel studio and moved to 446 Mesa Road in Santa Monica Canyon to live with his son Brett (1911-1993). The Depression years had been difficult, and Weston may have believed that his chances for making money would be better in Los Angeles County than the Carmel area, which relied heavily on the tourist trade. Wilson moved down later that summer, followed by Weston's sons Neil (1907-1977) and Cole (1919-2003). The two-bedroom home where all five lived included off the master bedroom a spacious sundeck where Weston photographed Wilson as he had Tina Modotti on their roof in Mexico. This image of Wilson, where she sits elegantly posed on a wool blanket with her face turned down to avoid the bright sunlight, was made there, just inside the doorway. - J. Paul Getty Museum

Contact printed from original negative by master platinum printer Tom Millea in 2001. Titled and signed by Tom Millea and Kim Weston.