Untitled (Figure and Form)
Pen and ink on paper

Alan Wood-Thomas reduces the human figure to a series of graceful, continuous contours, creating a composition that balances abstraction with recognizable form. The standing silhouette and folded reclining figure suggest a quiet dialogue between presence and introspection. Through disciplined line work and expansive negative space, the artist transforms the figure into a study of rhythm, proportion, and visual harmony, demonstrating the elegance that defines much of his figurative work.