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Adrienne T. Boggs

Albuquerque, NM

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Unnamed (Rural Farm) by Wallace & Chetwynd
Unnamed (Rural Farm) by Wallace & Chetwynd
Unnamed (Rural Farm) by Wallace & Chetwynd
Unnamed (Rural Farm) by Wallace & Chetwynd
Unnamed (Rural Farm) by Wallace & Chetwynd
Unnamed (Rural Farm) by Wallace & Chetwynd
Unnamed (Rural Farm) by Wallace & Chetwynd
  • Wallace & Chetwynd
  • Unnamed (Rural Farm), c. 1881-1901
  • Earthenware
  • 6 in (15.24 cm)
  • Not For Sale
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Vase, 6 inches tall. Brown transfer. Maker is most likely Wallace & Chetwynd of the Harker Potteries in East Liverpool, Ohio, USA. This pattern features a countryside scene with a small farmhouse and barn bordered by a geometric band and semi-circular cartouches filled with stylized flowers. The opposite side of the vase features a sprig of apple or prunus blossoms. The rim is decorated by a simple gilded line.

Founded by a Mr. Wallace and Joseph Chetwynd, the Wallace & Chetwynd Co. (1881-1901) operated in the former Harker "Wedgewood" pottery. The facility was renamed "Colonial." Mr. Chetwynd was a Staffordshire potter who had been employed as a manager and modeler in the Cockson & Chetwynd Pottery. The Colonial Pottery was noted for the excellence of their ironstone.

Until the late-19th century, most dinnerware in the U.S. was imported. However, in the 1870s and 1880s, several American potters began to make white "granite ware." Several potteries were situated in New Jersey, including City Pottery in Trenton, and other potteries were also established near East Liverpool, Ohio, including Knowles, Taylor & Knowles and Homer Laughlin & Co. Most of the ironstone produced in the U.S. had simpler shapes than the English imports which were still preferred by Americans. In an attempt to sell more of their wares, most American potteries did not originally mark their wares, and some used variations the British Royal Arms or marks that resembled the arms. As well as the British Royal Arms of some American potters also included such phrases as 'Royal China,' 'Royal Blue,' 'Royal Semi-Granite,' and 'Imperial China,' in order to give the appearance of English-manufactured ware.

  • Subject Matter: Aesthetic (Cartouche)
  • Collections: American Transferware (1800-1930), Wallace & Chetwynd

Other Work From Adrienne T. Boggs

Unnamed (Seaweed) by Josiah Wedgwood
Unnamed (Pot of Prunus Blossoms) by Unknown Maker
Unnamed (Rabbit Service) by Cauldon Ltd.
Unnamed (Schooner Cartouche) by Jacob Furnival & Co.
Unnamed (Rustic Cartouches) by Thomas Furnival & Sons
Unnamed (Roses) by Worcester Royal Porcelain Co.
Unnamed (Renaissance Man) by Pratt & Simpson
Unnamed (Prunus Blossoms) by G. L. Ashworth & Bros.
Unnamed (Pomegranate) by Minton, Hollins & Co.
Unnamed (Roses) by Cauldon Ltd.
See all artwork from Adrienne T. Boggs
 

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