- William Alsager Adderley & Co.
- Anglais (Warwick Castle/Guy’s Cliff House), Rd. 20 October 1883
- Earthenware
- 10.75 x 7.5 in (27.31 x 19.05 cm)
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Not For Sale
Tureen lid, 10.75 x 7.5 inches. Brown transferware with polychrome clobbering. Printed registry diamond dates the registration of this pattern to 20 October 1883. This pattern is one in the series William Alsager Adderley gave the French name for 'English' - "Anglais." It employs design elements characteristic of the English Aesthetic Movement. Each scene in the series shows a countryside view in a large central cartouche with a smaller accompanying cartouche insert. On this pattern there is a large view of Warwick Castle and a small view of Guy's Cliffe. Guy's Cliffe almost looks as if it is on a postcard. Although difficult to see, there are scrolls in the left-hand corner of each cartouche with the name of the view. The naturalistic border of flowers, ivy and ferns even has a spider and web in the left-hand corner.
Warwick Castle is a medieval castle developed from a wooden fort, originally built by William the Conqueror during 1068. Warwick is the county town of Warwickshire, England, situated on a bend of the River Avon. The original wooden motte-and-bailey castle was rebuilt in stone during the 12th century. During the Hundred Years War, the facade opposite the town was refortified, resulting in one of the most recognisable examples of 14th-century military architecture. It was used as a stronghold until the early 17th century, when it was granted to Sir Fulke Greville by James I in 1604. Greville converted it to a country house and it was owned by the Greville family, who became Earls of Warwick in 1759, until 1978.
Guy’s Cliffe has been occupied since Saxon times and derives its name from the legendary Guy of Warwick. Guy is supposed to have retired to a hermitage on this site, this legend led to the founding of a chantry. The chantry was established in 1423 as the Chapel of St Mary Magdelene and the rock-carved stables and storehouses still remain. After the Dissolution of the Monasteries by Henry VIII the site passed into private hands. The current, ruined house dates from 1751 and was started by Samuel Greatheed, a West India merchant and Member of Parliament for Coventry 1747-1761.
In 1853 the lease of the Daisy Bank Pottery was sold to Messrs. Hulse Nixon and Adderley. The freehold of the premises was afterwards purchased from John Edward Heathcote Esq. by Hulse Nixon and Adderley. In 1869 Mr. Nixon died and the firm was changed to Hulse and Adderley and so continued until 1874 when Mr. Hulse having died in the preceding year, it was altered to that of William A. Adderley who was the surviving partner and then the sole proprietor of the place. The productions were china and earthenware for the home. The markets were Canada, West India, South America, Australia, New Zealand, and the operations were conducted on a large scale. Adderley’s usual trademark was a ship in full sail.
- Subject Matter: Aesthetic (Cartouche)
- Collections: Aesthetic Transferware, William Alsager Adderley & Co.