This framed, 38 inch x 41 inch painting was done by Robert Bonaparte in 1981. The work is painted in an abstract manner with visible brush strokes and is characterized by its non-representational form and emphasis on color and shape over literal subject matter or narrative. The composition combines organic and geometric elements, creating a balance between the fluidity of nature and the rigidity of structure. Earthy tones of brown and green are mainly utilized, creating a naturalistic palette, while also incorporating smaller areas of blues, reds, and yellow to add some contrast. Overall, the painting is an exploration of form, color, and texture, adhering to both abstract expressionist qualities and surrealist styles.

In the vibrant aftermath of WWII, amidst an Oklahoma City blooming with cultural resurgence thanks to New Deal initiatives, a young Robert Bonaparte found his calling alongside his childhood friend and neighbor, Ed Ruscha. While Ruscha's works found global acclaim, Bonaparte's creations remained a treasured secret, known only to a select group of collectors and friends. Born in 1933 in Oklahoma City, Robert Bonaparte emerged as a pivotal yet under-recognized figure in the abstract art scene. From an early age, Bonaparte formed a profound friendship and artistic dialogue with Ed Ruscha, a relationship that would influence both artists' careers. After graduating from the University of Arizona in 1956, Bonaparte's thirst for knowledge took him to Rome, Italy, where he furthered his studies in art, broadening his perspective and technique. In 1959, alongside a cohort of Oklahoma artists, he relocated to California, where his artistic expression flourished. Bonaparte's work, known for its vibrant landscapes and introspective still lifes, has graced galleries worldwide, from Galleria "La Vetrina" in Rome to the Fred Jones Jr. Museum of Art in Norman, Oklahoma, showcasing his international acclaim and versatility. Despite the quieter recognition compared to his contemporaries, Bonaparte's contributions to the art world are invaluable.