This 26 inch x 28 inch abstract work was painted by Robert Bonaparte in 1980. Done in a minimalist style, Bonaparte utilizes a very limited color palette and incorporates a small amount of detail and subject matter. The focal point of the work is the animalistic figure, just barely resembling a fish, taking up a majority of space in the center of the composition. The "fish" subject is depicted in a very abstracted, simplistic manner with the only really representational trait being the singular eye and perhaps a fin, although it is too ambiguous for certainty. The "figure" itself is made up of different shapes and colors; the "eye" is positioned on the top shape that forms the fish, a curved triangular form painted with a dark yellow color. Below that shape is another shape, similar to that of a football and painted with a lighter more pale yellow and below that is yet another elongated football shape, painted with a dark blue and a small section of light green. The last shape that is depicted as part of the subject, is a larger, dark red, rectangular shape that seems to be layered under the other shapes. Behind this collection of forms, is a plain black background that incorporates very small thin wavy lines of red, just barley visible, again adding to the thematic characteristics of a fish subject as the lines could symbolize waves within the water.

In the vibrant aftermath of WWII, amidst an Oklahoma City blooming with cultural resurgence thanks to New Deal initiatives, a young Robert Bonaparte found his calling alongside his childhood friend and neighbor, Ed Ruscha. While Ruscha's works found global acclaim, Bonaparte's creations remained a treasured secret, known only to a select group of collectors and friends. Born in 1933 in Oklahoma City, Robert Bonaparte emerged as a pivotal yet under-recognized figure in the abstract art scene. From an early age, Bonaparte formed a profound friendship and artistic dialogue with Ed Ruscha, a relationship that would influence both artists' careers. After graduating from the University of Arizona in 1956, Bonaparte's thirst for knowledge took him to Rome, Italy, where he furthered his studies in art, broadening his perspective and technique. In 1959, alongside a cohort of Oklahoma artists, he relocated to California, where his artistic expression flourished. Bonaparte's work, known for its vibrant landscapes and introspective still lifes, has graced galleries worldwide, from Galleria "La Vetrina" in Rome to the Fred Jones Jr. Museum of Art in Norman, Oklahoma, showcasing his international acclaim and versatility. Despite the quieter recognition compared to his contemporaries, Bonaparte's contributions to the art world are invaluable.